June 27, 2026
1:00 PM – 5:00 PM
Museum of Humor and Satire, 2nd floor, Hall 2, in the exhibition “Brieftopia: Art between Crises and Imagination”
Registration form:
https://docs.google.com/…/1FAIpQLSer7HiERJMtZn…/viewform…
How do we navigate a world of political and social uncertainty, contradictory information, and constant change? How do we maintain our ability to think, feel, and act together when common guidelines seem increasingly unstable? And what skills do we need to build sustainable connections and forms of cooperation in conditions of instability?
As part of the exhibition “Brieftopia: Art between Crises and Imagination”, we invite you to the workshop of artist and activist Voyn de Voyn, dedicated to the issues of collective orientation, communication, and organization in the modern world. The workshop offers a space for shared exploration of the ways in which we perceive reality, create meaning and build relationships with others in times of uncertainty and change.
The program includes a series of practical and interactive exercises that connect language, the body and collective experience. By working with communication, space and body awareness, participants will explore how shared meaning is created, how common orientations are formed and how individual experiences can become a basis for mutuality and solidarity. The workshop will conclude with the collective writing of a manifesto that will bring together the main insights, questions and possible courses of action that emerged during the process.
The workshop does not offer ready-made solutions or final answers. Instead, it creates a space for reflection, exchange and experimentation with new ways of connecting, communicating and acting. At its core is the idea that an organization is not just a structure, but a living practice, built through attention, trust, communication and the ability to jointly navigate the complexity of the present.
Voyn de Voyn (b. 1978) lives and works in Sofia. His practice spans various fields of visual arts, from performance to installation. In his work, he explores collective rituals and patterns of behavior, themes related to gender, ancestral knowledge, psychogeography, sociology and parapsychology. For him, art is a form of activism and a means of creating new spaces for encounter, dialogue and collective imagination.
The project is implemented with the financial support of procedure BG-RRP-11.021 “A New Generation of Local Cultural Policies for Large Municipalities”, Investment “Development of the Cultural and Creative Sectors”, Component “Social Inclusion”, National Recovery and Resilience Plan.
