Category: Exhibitions

The presentation of the monograph “Boris Dimovski”The presentation of the monograph “Boris Dimovski”

On June 17 at 6:00 PM, we presented the new monograph dedicated to the artist and cartoonist Boris Dimovski.

The publication is the result of in-depth research and is a fitting closing to the retrospective exhibition organized on the occasion of the 100th anniversary of the artist’s birth.

The event was attended by the deputy director of the museum Nela Rachevits, the author of the book Krassimir Iliev, and the designer Ana Radkova.

Among those present were members of the editorial and translation teams, representatives of cultural circles, the mayor of Gabrovo Municipality Tanya Hristova, and numerous citizens.

In her welcome address, Nela Rachevits highlighted the significant place of Boris Dimovski both in the history of the museum and in the cultural life of Gabrovo.

“This is a worthy publication for our museum. Few institutions in our country would cope with such a serious, profound and large-scale work on Boris Dimovski. His work and his connection with Gabrovo deserve such a study,” she said.

According to her, the publication is the result of a thorough study by the author in close cooperation with the museum team, public institutions, the artist’s family, researchers and collectors, including work with archival documents, correspondence, publications and other materials related to the artist. She added that the monograph is a logical continuation of the retrospective exhibition dedicated to Dimovski.

For his part, Krassimir Iliev shared that the creation of the monograph was a real professional challenge, and emphasized the key contribution of the museum team to the successful implementation of the project.

Currently, those interested can purchase this luxury edition in the store of the Museum of Humor and Satire.


Presentation of the monograph “Boris Dimovski”Presentation of the monograph “Boris Dimovski”

June 17, 2026 (Wednesday)
6:00 p.m., free admission
Museum of Humor and Satire, Gabrovo


On the last day of the retrospective exhibition “Boris Dimovski – 100 Years of Birth” we invite you to the presentation of the monograph “Boris Dimovski” – the work of Krasimir Iliev, curator of the exhibition.

The Museum of Humor and Satire and the author worked on the creation of this work with the conviction that the publication will contribute to the preservation and popularization of the artist’s creative heritage and his deep connection with Gabrovo – a city that in 1983 awarded him the title of “Honorary Citizen”.

The book contains 340 pages and over 600 images of caricatures, illustrations and photographs. It offers an in-depth look at the life, work and public role of Boris Dimovski – an artist whose name remains inextricably linked to our city.


Boris Dimovski is not only one of the most significant Bulgarian cartoonists, but also among the people who, together with Stefan Furtunov, are at the heart of transforming Gabrovo humor into a cultural symbol recognizable far beyond the borders of Bulgaria. His images and ideas continue to live on in the symbols of the city and in the history of the museum.

Come and meet the author Krasimir Iliev – the man who dedicated a year to return Boris Dimovski to his deserved place in the history of Bulgarian art.


Monograph team:

Author: Krasimir Iliev
Design: Ana Radkova
Editor: Emilia Voleva
English translation: Nevena Ekimova
Translation editor: Tracy Speed
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SIN – Research and Exhibition ProjectSIN – Research and Exhibition Project

May 20 – June 20, 2026

The Alley in Front of the Aula, New Bulgarian University, 21 Montevideo St., Sofia

Host Vladimir Dimitrov


What does sin look like?

In images, symbols, fears and moral warnings preserved in the frescoes of Bulgarian medieval and Renaissance churches.

From May 20 to June 20, 2026, the Alley in Front of the Aula of NBU will host the exhibition “Sin” by the House of Humor and Satire in Gabrovo.


The exhibition presents scenes from the Last Judgment, the tolls of the soul and moral-didactic compositions in Bulgarian church painting from the 18th–19th centuries.

Through the images of sinners, demons, artisans, sorcerers and allegorical characters, the exhibition reveals how icon painters transformed painting not only into a religious image, but also into a means of moral education, social criticism and spiritual warning.

The exhibition draws attention to the rich visual language of Orthodox art, in which the fear of sin, the idea of ​​retribution and the hope of salvation are intertwined with humor, the grotesque and clearly recognizable human images.


Brieftopia: Art Between Crisis and ImaginationBrieftopia: Art Between Crisis and Imagination

21 March 2026 – 30 June 2026

First International Laboratory for the 26th Gabrovo Biennial of Humour and Satire in Art

Participating artists:
Voin de Voin, Nevena Ekimova, Armando Lulaj, Ivan Moudov, Maria Nalbantova, Behzad K. Noori, Boryana Petkova, Antoni Rayzhekov, Lexi Fleurs, Luka Cvetković

Curator: Snejana Krasteva
Museum of Humour and Satire, Gabrovo


The Museum of Humour and Satire presents the project Brieftopia: Art Between Crisis and Imagination – the first international laboratory in preparation for the upcoming 26th edition of the Gabrovo Biennial of Humour and Satire in Art (2029). The project features a group exhibition showcasing newly commissioned works, including performance, video, film, interactive installations, and workshops, created specifically for the laboratory by international and Bulgarian artists.

The term “Brieftopia” is a neologism combining brief and utopia. Introduced by Iranian-Swedish artist and researcher Behzad K. Noori (a participating artist and co-curator of the next Gabrovo Biennial together with Snejana Krasteva), it describes a fleeting yet powerful form of utopian imagination oriented toward an accessible and tangible future. As Noori writes, it is “a brief moment in which art intertwines with the politics of imagining plausible futures, in order to envision a tangible future that offers temporary refuge and potential paths for navigating existence.”

Brieftopia functions simultaneously as a critical working method and a research approach, drawing on one of the key hard-won privileges of contemporary art—its freedom—in order to resist what Mark Fisher has termed the “slow cancellation of the future.” According to Fisher, we live in an era in which every fragment from the past can return like a zombie, where cultural differences lose their specificity, and where the present stretches into an endless presentism marked by a pervasive sense of hopelessness toward the future.

Brieftopia, however, thrives precisely between hope and hopelessness—as a form of hopeless optimism, of insistence without illusion. “It is not about believing that things will work out, but about refusing to abandon the act of imagining the future, even after belief has been exhausted” (Noori). Art offers a space in which alternative models of co-existence can be tested on a smaller scale, where operations on time can be performed (stretching, compressing, looping, stopping, reversing, or fast-forwarding it), and where essential mental processes—abstract and concrete thinking alike—can be freely “practised” through bodily and sensory experience.

Brieftopia: Art Between Crisis and Imagination marks the first step toward the 26th edition of the Gabrovo Biennial of Humour and Satire in Art, an established forum for contemporary art in Bulgaria and the region, to be curated by Snejana Krasteva and Behzad K. Noori. Through an open, multi-stage, and context-sensitive approach, the project aims to strengthen Gabrovo’s role as an active centre for contemporary art and international cultural exchange. The laboratory will include a series of events, curatorial tours, and workshops, as well as a two-day international symposium on 23–24 May 2026, featuring distinguished speakers such as philosopher Boris Buden, political scientist Francisco Carballo, artists, writers, and researchers Magnus BärtåsEdgar Shmitz, and Snejanka Mihaylova, among others.

More about the project “Brieftopia: Art Between Crises and Imagination”: https://humorhouse.bg/briftopiabg/


The project is realised with financial support from procedure BG-RRP-11.021New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social InclusionNational Recovery and Resilience Plan.

FANGIRLFANGIRL

Solo Exhibition at Museum of Humor and Satire

Curator: Reneta Georgieva

January 16 – February 16 2026


In the exhibition FANGIRL, Nevena Ekimova undertakes a personal and artistic gesture of return – to herself, to the past, to the men who inhabited it.

The project functions as a kind of emotional retrospective, in which the artist traces the threads of her feelings – attraction, idealization, shame, anger, sadness, ecstasy – towards figures from reality and fantasy, mostly male. It is an intimate but sharply ironic archive of her experiences as a woman and an artist, placed at the heart of fandom – this deeply feminine, often devalued, but also powerful form of identification and projection.

Having crossed the symbolic threshold of 40, Nevena unfolds her artistic language – drawing, sculpture, textiles, speech and music – to map the inner territory where archetypes and personal memories mix like souvenirs: from the father as the first object of adoration and psychological formation, through the fleeting idols of adolescence and adulthood, to the gallery of men and boys she looked up to and fell in love with, who she was disappointed by and who she fantasized about.

The exhibition collects emotional trophies from experienced and untold stories, archives them visually, turning them into an intimate mythology.

FANGIRL is not just an exploration of the desires that the female point of view gives rise to – it is a frank admission of the artistic dependence on these desires, on fixation, on longing.

Something between a teenager’s diary and a mature artistic confession. Nevena allows herself to be both serious and self-ironic, vulnerable and controlling, a fan and an author – and it is precisely in this tension that her artistic maturity is revealed.




Nevena Ekimova is a Bulgarian artist, currently based in her hometown of Gabrovo.

She studied contemporary art in Norway and Iceland, and got her BFA at the Valand Art Academy in Gothenburg, Sweden.

Since 2021, Nevena Ekimova has been working at the Museum of Humor and Satire.

Besides participating in exhibitions, she often works with public institutions and creates large-scale interactive projects for children and adults.

https://nevenaekimova.com


Waiting for the EuroWaiting for the Euro

Location: 3th floor lobby

Starting today, December 10, the Museum of Humor and Satire presents a mini-exhibition of cartoons in which currency is not just money, but a promise of adventures – economic, political and emotional.


What do we know about the introduction of the euro?

Probably as much as we know about the future: few facts, many wishes and a pinch of fear of the unknown.

Will we manage? Will the price of doner kebab increase? Will we become poorer or simply richer in subjects for jokes?

Cartoonists have had an answer for a long time – in their world, the euro is a hero with character, sometimes with a sense of humor, sometimes with a slightly arrogant expression, but always with good intentions.

If we ask economists, the benefits are like in a fairy tale: fewer risks, more stability, easier trade, more efficient markets and a chance to compete with the big players in the world economy without having to worry about exchange rates.

If we ask the artists, the benefits are even clearer: the bigger the currency, the bigger the palette for humor.

This mini-exhibition walks through all of this – the facts, the fears, the hopes and the sheer pleasure of looking at the economy with a smile.

The Eurozone may be a serious club, but the cartoon reminds us that the best way to enter it is with a sense of humor.


The exhibition features cartoons by:

Alla and Chavdar Georgievi, Bulgaria

Wolfgang Schlegel, Germany

Ivan Kutuzov, Bulgaria

Iliyan Savkov, Bulgaria

Manuel Serrano, Spain

Svetlin Stefanov, Bulgaria

Stoyan Dechev, Bulgaria (the cartoon used as the photo for this article)

Florian Doru Crihana, Romania

Chavdar Nikolov, Bulgaria

Kalin Nikolov. Graphics and Drawings with Unwritten ContentKalin Nikolov. Graphics and Drawings with Unwritten Content

An artist and art critic from the street at 70

Floor 4, Hall 6


“This exhibition is a return to two of the sources of my (poor, in my opinion) imagination (but the world is rich and its content lurks everywhere).

The first are the pictures seen back in the late 1950s and still viewed with interest through a now retro bakelite diascope from the last century. It is preserved in our country in its original box and even with the instructions – “Model E”, a beautiful rarity once, before our television. These pictures were arranged in slide drums with the seven wonders of the world, the wedding of the Queen of England, parrots, Hollywood shows, the ascent of Vesuvius. The last one especially always reminded me of the final stop of tram five (the final stop of the line with the final traverse) and the start up Vitosha with the expectation that we would someday come across the terrible crater.

The second moment is my graphics for the 1970 film “Catch 22” based on the famous novel by Joseph Heller, skillfully adapted to the writer’s black humor. The genre of my cartoon (one of the things I have done in print – both as independent graphics and drawings) is mainly of the “black humor” type: this amuses me even more since I generally don’t understand anything about art, but in my field this is rarely of urgent need to anyone.

To all this I add a few satirical comics, as well as two satirical drawings from different times – my host is a museum of all genres in the funny and the sharp, I would not like to overlook that fact…

There is also a long drawing that slowly grows from exhibition to exhibition, perhaps until it itself becomes one. Its theme is reality, people and destinies – important to us, wherever they came from or will come to us…”

Kalin Nikolov


Kalin Nikolov was born in 1956 in Sofia.

He graduated from the Art High School and the Nikolay Pavlovich Institute of Fine Arts, majoring in Graphics and Graphic Technologies under Prof. Dr. Evtim Tomov.

He studied and worked with the artist Boris Dimovski.

He is currently a curator at the Graphic Department of the National Gallery, Sofia.

He has had solo exhibitions in Sofia, Gabrovo, Veliko Tarnovo, Hamburg, Athens, Budapest, Skopje, Ohrid, Dimitrovgrad and other cities.

He was an artist in newspapers such as “Vecherni noviny”, “Reporter 7”, “La Strаda” and the magazines “FEP”, “Terra Fantasia”, “Usuri”.

He is the author of books, monographs and research studies on Bulgarian and world fine arts.

Nikolov is a researcher of forgotten pages of Bulgarian cultural history – the Union of South Slavic Artists “Lada” (1904-1906), the Ukrainian sculptor Mykhailo Parashchuk and repressed Bulgarian artists.


BORIS DIMOVSKI – 100 YEARS BIRTH ANNIVERSARYBORIS DIMOVSKI – 100 YEARS BIRTH ANNIVERSARY


From October 23, the Museum of Humor and Satire in Gabrovo presents an exhibition, curator Krasimir Iliev,

commemorating the 100th anniversary of the birth of Boris Dimovski (20.10.1925–26.03.2007)


Follow the link for more information:

https://humorhouse.bg/wp-content/uploads/2025/10/Humor-House_Boris-Dimovski_english.pdf


Virtual Walk:

All That Variété – an exhibition dedicated to the 40th anniversary of the opening of the Experimental Satirical Variety Theater – GabrovoAll That Variété – an exhibition dedicated to the 40th anniversary of the opening of the Experimental Satirical Variety Theater – Gabrovo


The Museum of Humor and Satire presents All That Variété – an exhibition based on the online archive dedicated to the Experimental Satirical Variety Theater in Gabrovo.


The Variety Theater in Gabrovo is an emblematic institution that existed in the period 1985 – 1999 under one roof with the Museum of Humor and Satire. This year marks 40 years since its opening.
Gabrovo residents fondly remember the cozy evenings spent in the characteristic bar atmosphere among talented actors, glamorous costumes, dances and music. Since 2021, the archive has been publicly available online, allowing the audience to follow the history of the theater in detail.
This exhibition presents selected moments from the legendary history of the Variété, as everyone called it.
The audience will find information about some of the plays performed and meet again with the main characters in this beautiful and somewhat sad tale. Many of these artists – now established actors, directors, choreographers and musicians – began their careers in Gabrovo. The exhibition includes video interviews with some of them, as well as excerpts from performances.



The exhibition can be viewed in halls 6 and 7 on the fourth floor of the Museum of Humor and Satire.
The digital archive is available at http://variete.humorhouse.bg/

The Museum of Humor and Satire would like to express its sincere gratitude to the State Archives – Gabrovo and the Aprilov – Palauzov Regional Library for their assistance in collecting archival materials.

The digital archive project was implemented with the financial support of the Ministry of Culture.


Among the artistic directors of the theater are eminent personalities such as Nikolay Nikolaev, Vili Tsankov, Sotir Maynolovski and Nikolay Georgiev. Denitsa Shopova, Nikolay Kipchev, Nona Yotova, Katsi Vaptsarov, Pepa Popzlateva, Teo Elmazov made their acting debut on the famous revolving stage. From the younger generation of artists who played in the Variety Theater are Orlin Pavlov, Yoana Zaharieva and Stefan A. Shterev, and stars such as VG Trik, Nikola Anastasov, Kamelia Todorova, Stefan Mavrodiev and many others have come touring.