Category: Events

Who is behind the “Brieftopia” project: Nevena EkimovaWho is behind the “Brieftopia” project: Nevena Ekimova

We continue our introduction of the artists in “Brieftopia: Art Between Crisis and Imagination” with the Bulgarian artist Nevena Ekimova.

Nevena Ekimova is a Bulgarian artist, based in her hometown of Gabrovo.

She studied contemporary art in Norway and Iceland, and got her BFA at the Valand Art Academy in Gothenburg, Sweden.

Besides participating in exhibitions, she often works with public institutions and creates large-scale interactive projects for children and adults.

Nevena’s works are often both visual and tactile, have a poetic and/or performative element and invite active audience participation. 

In the interactive installation “Noise Threshold”, made for the exhibition in Gabrovo, Nevena Ekimova creates an environment for examining the informational “climate”—a device that registers momentary states of thought and oscillations between signal and noise, between critical stance and play.


The project is realised with financial support from procedure BG-RRP-11.021, New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social Inclusion, National Recovery and Resilience Plan.

Who is behind the “Brieftopia” project: Lexi FleursWho is behind the “Brieftopia” project: Lexi Fleurs

We continue our introduction of “Brieftopia: Art Between Crisis and Imagination” with the Bulgarian artist Lexi Fleurs.

Lexi Fleurs is a contemporary artist working in film, painting, photography, and research-based work.

Her works are part of the collection of MAMCO Geneva and International House New York.

She holds an MFA from SVA NYC with a Fulbright scholarship and a BFA from HEAD Geneva.

Lexi Fleurs works as a freelance war documentalist and has been documenting the war in Ukraine since 2024.

In the exhibition, the new video work I Hate War and War Hates Me juxtaposes fragments of her visual communication with her friend in Ukraine.

Through them, we trace shifting emotional states—often with a comic effect—set against quiet, seemingly idyllic landscapes in which military operations are nevertheless unfolding.


The project is realised with financial support from procedure BG-RRP-11.021, New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social Inclusion, National Recovery and Resilience Plan.

Who is behind the “Brieftopia” project: Luka CvetkovićWho is behind the “Brieftopia” project: Luka Cvetković

We continue our introduction of the artists in “Brieftopia: Art Between Crisis and Imagination” with the Serbian artist Luka Cvetković.

Luka Cvetković is an artist working across video, performance, text, and publishing.

His practice challenges dominant subjectivities and power dynamics within and beyond art, engaging aesthetics, philosophy, and politics.

Cvetković has exhibited across Europe, received multiple awards, and was a special lecturer at UAL (2021).

Based in Belgrade, he co-runs the Identity Crisis Network , a research project connecting artistic practices and discourses that de-stabilize fixed notions of identity and subjectivity.

In his installation “Celebrations 2029” for the exhibition in Gabrovo, Luka Cvetković, “reconstructs” the opening of the Gabrovo Biennial in 2029 and invites participants to “remember” imagined future states of the world, interwoven with personal narratives of love, family, success, and loss—raising the question of whether thinking the future is less a practice of prediction than one of memory.


The project is realised with financial support from procedure BG-RRP-11.021, New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social Inclusion, National Recovery and Resilience Plan.

Who is behind the “Brieftopia” project: Boryana PetkovaWho is behind the “Brieftopia” project: Boryana Petkova

We continue our introduction of the artists in “Brieftopia: Art Between Crisis and Imagination” with the Bulgarian artist Boryana Petkova.

Boryana Petkova (b. 1985, Sofia) is a visual and performance artist whose intense, emotionally charged practice draws on personal experience to explore the complexity of human existence.

Deeply autobiographical and embodied, her work confronts themes such as vulnerability, memory, and resilience.

Her works have been presented at Arsenal – Museum of Contemporary Art, Sofia; Drawing Lab, Paris; the International Museum of Modest Arts in Sète; Frac Picardie, Amiens; the Drawing Biennial in Rimini; and KAI10 Arthena Foundation, Düsseldorf, among others. She has performed at AWARE, Paris; the BUNA Forum, Varna; and Residency Unlimited, New York.

Humour is a key tool and form of resistance in the exhibition, alongside imagination.

Petkova’s installation and live performance “Smile!” affirm laughter as such an instrument, in which female laughter—brief, stifled, uncontrollable—is used as acoustic material to reveal the moral and social control exerted over the body.


The project is realised with financial support from procedure BG-RRP-11.021, New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social Inclusion, National Recovery and Resilience Plan.

Who is behind the “Brieftopia” project: Armando LulajWho is behind the “Brieftopia” project: Armando Lulaj

We continue our introduction of the artists in “Brieftopia: Art Between Crisis and Imagination” with the Albanian artist Armando Lulaj

Armando Lulaj (Tirana, 1980) is a writer of plays, texts on risk territories, filmmaker and producer of conflict images.

His research is orientated towards accentuating the border between economical power, fictional democracy, and social disparity in a global context.

His main topics of interest are the structure of power and institutional critique. In 2003 he founded the DebatikCenter of Contemporary Art, an independent art center based in Tirana.

For the exhibition, Lulaj will present part of his long-term project “The Deepest Sound” as a series of 224 photographs that provocatively invite us to view the world not as a system governed by power and economy, but as a whole without borders or nations—exactly as it appears from outer space.

As the artist notes, “art has always sought to imitate this possibility, even if only briefly and in miniature.”


The project is realised with financial support from procedure BG-RRP-11.021, New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social Inclusion, National Recovery and Resilience Plan.

Who is behind the “Brieftopia” project: Behzad Khosravi NooriWho is behind the “Brieftopia” project: Behzad Khosravi Noori

We begin our introduction of the artists in “Brieftopia: Art Between Crisis and Imagination” with the author of the concept itself — Behzad Khosravi Noori.

In this video, recorded during his second visit to Gabrovo (January 2026), Noori speaks about “Brieftopia” not as a utopia, but as a way of thinking: how art opens real possibilities for a tangible future — precisely at a moment when we are being told that no such future exists.

What else does he share? Watch to the end.

Мъж с очила и шапка сидящ в стола с оранжева жилетка на фона на библиотека с книги.


For the first laboratory in Gabrovo, Noori got inspired by the large number of caricatures and unique collages in the museum’s collection by Iranian cartoonist Kambiz Derambakhsh, as well as by childhood memories of watching the animations of Donyo Donev on Iranian national television. He will present his new film, Three and More Fools, shot within the museum. The film is narrated by the author in the form of a letter to his Iranian colleague, who will “receive” it posthumously, alluding also to the peculiar, brieftopian sensation one must have experienced when receiving mail at that time (something the collection of the museum is based upon historically), under conditions of political isolation.


Behzad Khosravi Noori, PhD, is an artist, writer, educator, playground builder, and “necromancer.” His research-based artistic practice includes film, installation, and archival inquiry. Khosravi Noori analyzes contemporary history in order to rethink memory beyond borders, examining the entanglements of misaligned collective memories. Through artistic research, he uses personal experience as a starting point to construct hypothetical links between individual memory and major world events, between micro- and macro-histories. His practice explores the margins of the artistic field within the broader contexts of art, transnational history, and global politics.


The project is realised with financial support from procedure BG-RRP-11.021, New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social Inclusion, National Recovery and Resilience Plan.

Who is behind the “Brieftopia” project: Snezhana Krasteva, curator of the exhibitionWho is behind the “Brieftopia” project: Snezhana Krasteva, curator of the exhibition

“As a first step in a long and thorough process of preparation, the project unfolds the concept of Brieftopia (a brief utopia) in order to explore how, through art — that is, through imagination and critical thinking — we can resist the slow but systematic cancellation of the future. We want to believe the audience in Gabrovo will engage with and value these moments of hope.”

One of the key voices in “Brieftopia: Art Between Crises and Imagination”, Snejana Krasteva, (b. 1979, Plovdiv) is the curator of the project and co-curator of the 26th Gabrovo Biennial of Humour and Satire in Art (2029).

After many years of work and training in galleries and museums in Beijing, London, and Moscow, she has been living and working in Bulgaria since 2022.

In Sofia, she is a co-founder of the Eastern Balkans Institute for Art and Architecture.


In the coming weeks, we will also meet the artists who shape this “brief utopia”.


The project is implemented with the financial support of procedure BG-RRP-11.021 “A new generation of local cultural policies for large municipalities”, Investment “Development of the cultural and creative sectors”, Component “Social inclusion”, National Recovery and Resilience Plan.

Brieftopia: Art Between Crisis and ImaginationBrieftopia: Art Between Crisis and Imagination

21 March 2026 – 30 June 2026

First International Laboratory for the 26th Gabrovo Biennial of Humour and Satire in Art

Participating artists:
Voin de Voin, Nevena Ekimova, Armando Lulaj, Ivan Moudov, Maria Nalbantova, Behzad K. Noori, Boryana Petkova, Antoni Rayzhekov, Lexi Fleurs, Luka Cvetković

Curator: Snejana Krasteva
Museum of Humour and Satire, Gabrovo


The Museum of Humour and Satire presents the project Brieftopia: Art Between Crisis and Imagination – the first international laboratory in preparation for the upcoming 26th edition of the Gabrovo Biennial of Humour and Satire in Art (2029). The project features a group exhibition showcasing newly commissioned works, including performance, video, film, interactive installations, and workshops, created specifically for the laboratory by international and Bulgarian artists.

The term “Brieftopia” is a neologism combining brief and utopia. Introduced by Iranian-Swedish artist and researcher Behzad K. Noori (a participating artist and co-curator of the next Gabrovo Biennial together with Snejana Krasteva), it describes a fleeting yet powerful form of utopian imagination oriented toward an accessible and tangible future. As Noori writes, it is “a brief moment in which art intertwines with the politics of imagining plausible futures, in order to envision a tangible future that offers temporary refuge and potential paths for navigating existence.”

Brieftopia functions simultaneously as a critical working method and a research approach, drawing on one of the key hard-won privileges of contemporary art—its freedom—in order to resist what Mark Fisher has termed the “slow cancellation of the future.” According to Fisher, we live in an era in which every fragment from the past can return like a zombie, where cultural differences lose their specificity, and where the present stretches into an endless presentism marked by a pervasive sense of hopelessness toward the future.

Brieftopia, however, thrives precisely between hope and hopelessness—as a form of hopeless optimism, of insistence without illusion. “It is not about believing that things will work out, but about refusing to abandon the act of imagining the future, even after belief has been exhausted” (Noori). Art offers a space in which alternative models of co-existence can be tested on a smaller scale, where operations on time can be performed (stretching, compressing, looping, stopping, reversing, or fast-forwarding it), and where essential mental processes—abstract and concrete thinking alike—can be freely “practised” through bodily and sensory experience.

Brieftopia: Art Between Crisis and Imagination marks the first step toward the 26th edition of the Gabrovo Biennial of Humour and Satire in Art, an established forum for contemporary art in Bulgaria and the region, to be curated by Snejana Krasteva and Behzad K. Noori. Through an open, multi-stage, and context-sensitive approach, the project aims to strengthen Gabrovo’s role as an active centre for contemporary art and international cultural exchange. The laboratory will include a series of events, curatorial tours, and workshops, as well as a two-day international symposium on 23–24 May 2026, featuring distinguished speakers such as philosopher Boris Buden, political scientist Francisco Carballo, artists, writers, and researchers Magnus BärtåsEdgar Shmitz, and Snejanka Mihaylova, among others.


The project is realised with financial support from procedure BG-RRP-11.021New Generation of Local Cultural Policies for Large Municipalities, Investment Development of Cultural and Creative Sectors, Component Social InclusionNational Recovery and Resilience Plan.

Gabrovo Game Jam 2026Gabrovo Game Jam 2026

In January 2017, the Museum of Humor and Satire hosted The First Edition of Gabrovo Game Jam – a 48-hour creative marathon that brings together programmers, artists, writers and game enthusiasts to turn an abstract topic into a working prototype.

The museum was not just a host – it combined the cultural context of humor with digital creativity, creating a unique environment for experimentation, collective thinking and fun.

Since then, the House of Humor and Satire has hosted it every year (with a short break due to Covid), with Gabrovo Game Jam establishing itself as a long-standing tradition and part of the Global Game Jam, uniting young people with diverse interests. The event is not just about creating games – it offers a community, sessions with mentors and the opportunity to showcase the results to an audience and other participants.


In 2026, Gabrovo Game Jam enters a new phase.

The eighth edition will be held from January 30 to February 1 at the Youth Center – Gabrovo, with the Museum of Humor and Satire passing the baton into the hands of enthusiasts from the same generation as the participants. 🙂

You can read more about this year’s Gabrovo Game Jam and register for participation at the link below:

https://youth.gabrovo.bg/gabrovo-game-jam-2026-shte-se-provede-v-mladezhki-tsentar-gabrovo-ot-30-yanuari-do-1-fevruari/

We wish success to both the organizers and everyone who accepts the challenge and participates! 🙂

FANGIRLFANGIRL

Solo Exhibition at Museum of Humor and Satire

Curator: Reneta Georgieva

January 16 – February 16 2026

Opening: Friday, January 16, 6 PM 


In the exhibition FANGIRL, Nevena Ekimova embarks on a personal and artistic act of return  – towards herself, her past, and the men who inhabited it.

The project unfolds as an emotional retrospection of a kind, with Nevena tracing the threads of her feelings – attraction, idealization, shame, anger, sorrow, elation – directed at figures drawn from reality and fantasy, predominantly men. What emerges is an intimate yet biting archive of her experiences as a woman and as an artist, rooted in the very core of fangirl obsession –  a deeply feminine form of identification and projection, so often dismissed, yet charged with power. 

Having crossed the symbolic threshold of her forties, Nevena unfolds her artistic language – drawing, sculpture, textiles, words, and music – to map the inner world where archetypes and personal memories mingle like souvenirs: from the father as the first object of adoration and psychological formation, through the fleeting idols of adolescence and adulthood, to the gallery of men and boys in whom she has seen herself mirrored, fallen in love, been let down, and fantasized about.

The exhibition assembles emotional trophies from stories lived and left untold, visually archiving them into an intimate mythology.

FANGIRL is not merely an exploration of the desires seen through a woman’s gaze –  it is a candid confession of the artistic dependence on those desires, on fixation, on longing.

Here, fangirlism is neither a joke nor a diagnosis. It is a strategy – for resistance, for solace, for identification. The exhibition offers an emotionally charged yet conceptually grounded experience, in which the intimate autobiography transforms into a universally recognizable story – something between a teenage diary and a mature artistic confession. Nevena allows herself to be both serious and self-ironic, vulnerable and in control, fan and author – and it is precisely within this tension that her artistic maturity emerges.


Nevena Ekimova is a Bulgarian artist, currently based in her hometown of Gabrovo.

She studied contemporary art in Norway and Iceland, and got her BFA at the Valand Art Academy in Gothenburg, Sweden.

Since 2021, Nevena Ekimova has been working at the Museum of Humor and Satire.

Besides participating in exhibitions, she often works with public institutions and creates large-scale interactive projects for children and adults.

https://nevenaekimova.com